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Coldfront

Listen to our show every

Thursday  10pm - 12am

What Do You Play?

 Melodic, Progressive house and Trance 

What's your musical origin story?

Not counting band class from grade school? A coworker (from Holland) dropped two CDs on my desk - In Search of Sunrise 3 (Tiesto) and Boundaries of Imagination (Armin Van Buurren). I listened to those 2 CDs for about a month straight, the closest I’d come to a continuous mix before that was The Wall or maybe Darkside of the Moon. Around the same time, another coworker was a huge Jungle and Drum and Bass DJ and she taught me how to mix. She likely got tired evaluating my CDs every week for about 6 months - gave me lots of feedback and I learned on the fly! She also shared lots of other music - in the pile of CDs was a track from Darren Tate - whom I recognized from one of the ISOS albums (Let the Light Shine In). That led me to Jono Grant, who led me to Anjunabeats/Ocean Lab - and I absolutely knew I had found something special.


Fast forward a few years: I discovered Night Music by The Thrillseekers and Anjunabeats Vol. 3 - I mail-ordered those together. Guess who was on track 2 of Nightmusic? Air for Life from Above & Beyond - wait what? Jono is also part of A&B? Needless to say, I began my quest to “find the greatest song I never knew existed before today”. 


With new, unmixed music and the means to mix it together - I got started. First, I played a ton of virtual clubs in “Second Life” where I made enough money to build up my catalog. A few years later, I sent a test mix to trance.fm and they offered me a residency. After trance.fm went away, I wandered in the forest for a while until I finally decided to jump into MixCloud. And now, here I am!


I went to school for Meteorology - and I have always been drawn to the colder songs that really leave me thinking about the story I just heard. Combining my love for haunting music and my weather knowledge - it became pretty obvious my DJ name should be Coldfront. Ironically, my specialty is tropical meteorology - living in Miami for 30 years means dealing with hurricanes. But despite all of the heat where I live, Coldfront just works.

What's your favorite thing about being a DJ?

My absolute favorite thing is: finding out a listener took 30 minutes before they realized I’d already played 8 tracks before they ever noticed the songs had been changing all along. 


Beyond that, music is powerful. As DJs, we have a responsibility to keep the beat alive and breathing. We also have a responsibility to play through a range of emotions in order to connect with everyone. Listeners are listening for a reason, sometimes to feel optimism, hope and happiness. Sometimes it’s to get in touch with - or deal with - negative emotions - loss or sadness, loneliness, even anger. I love the opportunity and the responsibility to gain trust with a listener and let me help guide them through whatever they need to get from a journey through a set.


What's your go-to track to get the party started?

“Operation Midnight” from Luttrell is absolutely a trusted floor filler! Yotto’s Mirage Mix of “The One You Left Behind” isn’t a set starter, but I love to drop it. 

Share a memorable DJing moment or gig experience.

The 100th episode of the Deepfreeze on Trance.FM was a back-to-back overseas mix with Paul Fitz from the UK. I started with “By Your Side”, sent him the file, he mixed in the next track, sent the file back to me, and we rinsed and repeated that and built a 2 hour set together - I LOVED getting the new mix back from him to hear what he added. No two DJ’s are alike, so I never even thought about (or really had even heard of) every track he dropped in. It was amazing and a unique trans-Atlantic collaboration.

What's your favorite genre to spin, and why?

20 years ago I would have said Progressive Trance. At least for me, that evolved toward Progressive House. Now, absolutely, it’s Melodic House/Trance. The music has evolved from using 138 BPM and lots of huge drops/breakdowns towards a more melodic, musical experience where the feelings and emotions are guided by harmonic climbs and falls, still structured, but there are certainly more surprises. Plus, I kind of hated dealing with 9 minute songs back in the day, it feels like a 5 minute track carries way more impactful sounds and leads to a more interesting and engaging experience for me as a DJ, and hopefully for listeners too.

If you could collaborate with any artist (living or dead), who would it be?

Paavo from Above & Beyond. It’s extraordinarily rare for a group of 3 people to work together for almost 30 years without egos getting in the way - and these guys are still bringing it, hard, every set. I would pick Paavo over the other two only because his work as Aalto (one of the first artists I gravitated toward re: my musical origin story) and later as P.O.S. I would love to learn how they stayed together, and I know he has dealt with mental health struggles. I would also like to talk about how creating music helped him through his most challenging times so I could help both myself and others navigate through tough times.

What's your secret weapon track that always gets a great response?

There’s a “fake” remix in my crate, and I honestly don’t remember how I found it: U2 - With or Without You (Sean Tyas and Alucard Remix). It’s am amazing track but likely “fake” due to label conflicts…but I have it at 320 and I am not afraid to use it. There’s a lot to work with before the melody arrives.


I also have a mashup I created, although I know it’s out there from other artists in different forms, which takes “Forever” from Smith & Pledger and combines with “Not A Lot Left” from Myon & Shane54 to yield: “Not A Lot Left Forever”

What's one piece of advice you'd give to aspiring DJs?

Don’t get caught up with effects (like air horns or sirens or whatever) to cover imperfections in your mixes. Let the music tell the story and learn the Camelot Wheel; and use harmonic progression to tell your stories (it really works, I think Paul Oakenfold one said keys are very powerful because they “bleep with emotions”). 


Learn the structure of your genre of choice. You’ll find commonalities across your favorite songs - which you can then learn to use to mix. 


And most importantly, PLAY WHAT YOU LIKE! It’s OK to emulate your favorite artists, especially starting out, because your taste and skills will evolve to produce your own unique sound over time. If you start with playing what you like to hear you can then observe and learn how your favorite tunes are received by listeners. That direct and indirect feedback will help you connect with your audience across forums and gigs. 


Finally, if you’re in this business only to make money, there are about a million other things you can do with your time to collect cash. Mix what you love and love what you mix.


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